Dell's Good, Bad & Ugly Movie Reviews

[ATL Jones Bro]

You seen obsessed? Looks like a pretty interesting movie.

[dell71]

if the quality isn't good there is just no way, i can barely watch the Netflix movies on my computer

My suggestion is take a look at the first minute or so & see whether you can stand it or not.

You seen obsessed? Looks like a pretty interesting movie.

Obsessed was already made.

it's called Fatal Attraction. Obsessed is just the much, much shittier version.

LOL, I also immediately thought of Fatal Attraction (& all of its other clones) the first time I saw the commercial. I bet Rawliin is right but I'm willing to sit through it and give it a fair shake. It probably won't be for months, though.

[Buzzman]

I didnt want to see it the minute I saw it had a PG 13 rating.

[dell71]

Zack and Miri Make a Porno
2008. Rated R, 101 minutes.
Directed by Kevin Smith. Starring Seth Rogen, Elizabeth Banks, Craig Robinson, Jason Mewes.

Plot: Zack (Rogen) and Miri (Banks) are platonic friends who share an apartment. When their financial situation becomes dire, they decide to make a porno.

The Good: It's not afraid to go over the top and it does so smartly. First, it gives us a believable dynamic between our two main characters. It follows that by surrounding them with effectively zany characters and giving them just enough to do to be funny but still stay out of the way. This allows the relationship between Zack and Miri to develop naturally and create some laughs of their own. Craig Robinson as Delaney really delivers. He's similar to Steve Buscemi in that he doesn't act so much as bring a certain persona to supporting roles. He's done in it a number of movies now and I can't say that he's done it any better than he has here.

The Bad: For a movie that takes all sorts of risks visually, it curiously takes none narratively. This creates a weird dichotomy. The fans of rom-coms who might normally eat up such a story, might also be repulsed by the manner in which the plot is advanced. Meanwhile, people who enjoy the raunchiness on display might not be engaged in the rehashed plot. Finally, our heroes seemed doomed to fail if, for no other reason, making full-blown porn movies with plots and scripts longer than this review went out long ago.

The Ugly: Bubbles' (Traci Lords, yes THAT Traci Lords) special talent. By the way, if that makes you laugh then after the movie, go to the deleted scenes and watch "Bubbles' Second Bubble." It's even better.

Recommendation: Kevin Smith fans and fans of the Apatow group should see this since it seems to be right up their alley. Prudes beware: as the title and people involved suggests, cursing, nakedness and graphically simulated sex (for an R-rated feature) are pervasive. For my money, it's the most underrated comedy of 2008. However, I can see why.

The Opposite View: Tom Huddlestone, Time Out London

What the Internet Says: 7.3/10 on imdb.com (4/27/09), 65% on rottentomatoes.com, 56/100 on metacritic.com

MY SCORE: 7/10

[Buzzman]

I thought Juston long stole that movie away.

SHUT YOOUR MOUTH OR IM GOING TO FUCK IT!!!!!!!!!

[dave]

Great review. Loved this movie as well. Prob gonna pick it up this weekend. Glad to see your finally getting to the good stuff on DVD. Seems like a lot of 08's best movies have finally started come out the past few weeks.

You should wait until they release the next version. This DVD version of The Wrestler sucks. Only the movie and a music video.
I'm sure they'll release a super-duper 2.0 version of the movie with many extras in six months.

[dell71]

Bedtime Stories
2008. Rated PG, 99 minutes.
Director: Adam Shankman. Starring Adam Sandler, Keri Russell, Guy Pearce, Courtney Cox.

Plot: Hotel maintenance man Skeeter (Sandler) babysits his sister's kids for a few days while she's out of town. With their help, he comes up with elaborate bedtime stories which amazingly become reality.

The Good: It's so gosh-darn cute. The kids are cute. The stories are cute. The way they translate into reality is cute. Therefore, our viewing is sprinkled with chuckles and giggles. All of this helps to keep things moving along nicely as the movie bounds from one tale to the next.

The Bad: It's so gosh-darn cute. Since it is, it's not afraid to pile on the cheese. So, in between the giggles and chuckles you might be rolling your eyes a lot. It doesn't help that the plot is a paint-by-numbers job.

The Ugly: The Booger Monster.

Recommendation: This is solid family fare. The stories are inventive, so they hold your attention as the movie bounces merrily along. There's really not much here to offend even the hardcore prudes, but it is predictable. You're willing to forgive all that because, well, it's just so gosh-darn cute.

The Opposite View: Jim Hill, Channel 4 Film

What the Internet Says: 6.2/10 on imdb.com (4/29/09), 22% on rottentomatoes.com, 33/100 on metacritic.com

MY SCORE: 6.5/10

[dell71]

Eagle Eye
2008. Rated PG-13, 118 minutes.
Director: D.J. Caruso. Starring Shia LaBeouf, Michelle Monaghan, Billy Bob Thornton, Rosario Dawson.

Plot: Two strangers suddenly find themselves working together while on the run from the FBI and being guided by a mysterious woman who's not only one step ahead of the action but somehow able to track their every move.

The Good: Like any chase movie worth it's car crashes, it has some spectacular sequences. There's all sorts of property damage with debris flying everywhere. It's loud and intense. To keep that tension up there's the mysterious voice on all those ominous phone calls. She intrigues us and keeps us guessing as to who she is and what she wants our heroes to do. As usual, LaBeouf ably portrays a guy who's a bit of a jerk but finds himself in an unbelievable situation. The rest of the cast, though more talented is solid but not overwhelming. Still, it's amusing to watch Billy Bob Thornton and Rosario Dawson try to out-stern one another.

The Bad: Once we find out what's going on, the whole thing falls apart. Essentially, it repeats the mistakes of Stealth, I, Robot and other similarly themed movies. An hour plus of mindless, but still fun action gives way to another 45 minutes of paranoid silliness we've seen before without injecting anything new or interesting. It clunks to it's conclusion hoping the noise and vision of the special fx will be enough to win you over. They don't because the script invites you to dig a little deeper but when you do you don't find anything. Contrast this with LaBeouf's prior big-budget special fx monster Transformers. That movie is also loud and silly. However, it works because it never pretends to be anything more whereas EE does and gets caught in its own hoax.

The Ugly: Crystal explosives. Nice.

Recommendation: If you just want to see an almost endless string of chase scenes with lots of crashes and explosions then have at it. Just don't go looking for anything more because even though it tempts us with the possibility of depth, it remains a shallow pool.

The Opposite View: William Arnold, Seattle Post-Intelligencer

What the Internet Says: 6.7/10 on imdb.com (4/30/09), 27% on rottentomatoes.com, 43/100 on metacritic.com

MY SCORE: 5/10

[dell71]

Seven Pounds
2008. Rated PG-13, 118 minutes.
Director: Gabriele Muccino. Starring Will Smith, Rosario Dawson, Barry Pepper, Woody Harrelson.

Plot: An obviously troubled man (Smith) is on a self-imposed mission to help others and unexpectedly falls in love.

The Good: It effectively strings us along. We're never quite sure exactly what our hero is up to until very late in the proceedings and the movie likes it like that way. Will Smith is solid but Rosario Dawson is outstanding. She very much makes us believe she's a woman who has missed out on things most of us take for granted and increasingly anxious about the time, or lack of time she has left.

The Bad: It's a little too cryptic. Why our hero is troubled is hinted at throughout so it was anticlimactic instead of being the huge revelation it wants to be. Showing this earlier may have helped his pain resonate with the audience more. The movie also takes itself way too seriously. Moments that could've been humorous and lightened the mood are enveloped by our hero's grim greater purpose, a destination he not only trudges toward but drags others with him.

The Ugly: Why he keeps the jellyfish.

Recommendation: The big problem seems to be how shamelessly it campaigned for the Oscars when it was being released. The commercials told us how it was being touted by some critics as a Best Picture candidate with a mind-blowing twist. Since it's not quite that, it became the chic movie to hate. I don't think it's nearly as bad as everyone says. In fact, I thought it was pretty good, even if it was overly self-important.

The Opposite View: Rawlin, VSN

What the Internet Says: 7.6/10 on imdb.com, 28% on rottentomatoes.com, 36/100 on metacritic.com

MY SCORE: 7/10

[dell71]

Lady Cocoa
1975. Rated R, 99 minutes.
Director: Matt Cimber. Starring Lola Falana, Gene Washington, Alex Dreier, "Mean" Joe Greene.
Cocoa (Falana) is being let out of jail so she can testify against her gangster boyfriend tomorrow. Two officers, Doug (Washington) and Ramsey (Dreier) are assigned to protect her through the night. The premise is reasonable, actually sort of tame for a Blaxploitation flick. I say that fully realizing that it would make a million times more sense just to take her from jail to the courthouse the morning of, ala 16 Blocks. However, I was hoping for a "so bad it's awesome" experience. What gave me that hope was that they didn't check her into any old out of the way hotel. Nope, they checked her into a hotel/casino/mall/restaurant and she came loudly barrelling through the main entrance practically announcing her arrival to any potential assassins. But alas, it was not to be. The writers telegraph a romance right away and promptly falls into an endless cycle: she asks, he says something along the lines of "No, it's too dangerous," she rants, raves and threatens not to testify, he gives in, she makes googly eyes at him. It might've been interesting but unfortunately legendary singer Lola Falana proves to be a terrible actress delivering repetitive and grating dialogue. However, for any 1975 audience it was probably a shock to hear the classy songstress speak with a potty mouth and do a nude scene. Honestly though, her best acting came during that scene which was a surprisingly enthusiastic love scene late in the movie. It's not until after said scene that we finally get the real deal outrageous antics the genre is known for. By then, it's too late to save the movie. Oh well, at least Pittsburgh Steelers legend "Mean" Joe Greene, who plays a hitman, shows up to glare at the camera every so often. MY SCORE: 3.5

[dell71]

Frost/Nixon
2008. Rated R, 123 minutes.
Director: Ron Howard. Starring Michael Sheen, Frank Langella, Kevin Bacon, Oliver Platt.

Plot: Former US President Richard Nixon (Langella) grants his first interview since resigning from office to British talk show host David Frost (Sheen).

The Good: This is an actors' movie and the actors deliver. The writing and directing are both superb but without the actors it would disintegrate. After all, the movie largely consists of people sitting around hotel rooms and living rooms talking. It doesn't sound like riveting drama, but it is. Frank Langella is marvelous as Pres. Nixon. He conveys the smugness of a man confident things will turn out in his favor, yet accusing "media people" of possessing that same trait. People who have seen the actual interviews the movie is based on, or really can remember Nixon, might notice that Langella is much more demonstrative that the President. However, that's done for dramatic purposes and Langella (and the script) hit all the right notes to create what essentially is the movie's villain. Speaking of hitting the right notes, Michael Sheen also does so as David Frost. He is simply perfect. Like most great performances, he does his best acting when he's not talking. Through these moments we sense the pressure mounting on him to pull off something amazing or watch his career go down the drain. That same pressure is on the people working with him and the supporting cast does a great job showing this. Finally, the movie gives us a love interest for our hero but doesn't distract us with a love story.

The Bad: It, maybe, could've gotten more out of Pres. Nixon's team. We get plenty of Jack Brennan (Bacon) but the rest of his team of strategists are reduced to wall flowers simply around for reaction shots. Getting more input from them might possibly have raised the tension between the two camps a bit. Also, I know I commended the movie on not giving us a love story but they still could've found something for Caroline Cushing (Rebecca Hall) to do. She's pretty much just a prop in the background for most of the movie. However, if giving her more to do would've changed the direction of the film then I'm fine with it, as is.

The Ugly: The Prez's late night, drunken phone call to our hero.

Recommendation: Fans of political and/or courtroom drams will love this (yes, I know there are no courtroom scenes in this movie). It's the best one of either I've seen in quite some time. It works best if you have a decent working of knowledge of Nixon's presidency. Stay away if you need any of the following to enjoy a movie: gunplay, explosions, fighting, romance or slapstick.

The Opposite View: Rene Rodriguez, Miami Herald

What the Internet Says: 8.0/10 on imdb.com (5/4/09), 92% on rottentomatoes.com, 80/100 on metacritic.com

MY SCORE: 9.5/10

[Bigpapa42]

Meant to watch Frost/Nixon forever. Your review made me want to see it all the more.

[NAHSTE]

Meant to watch Frost/Nixon forever. Your review made me want to see it all the more.

do it

[dell71]

do it

I second this.

[dell71]

The Day the Earth Stood Still
1951. Not Rated, 91 minutes.
Director: Robert Wise. Starring Michael Rennie, Patricia Neal, Sam Jaffe, Billy Gray.
An alien spacecraft lands smack dab in the middle of Washington D.C. during a busy day. The being that emerges from the ship is shot within moments of setting foot on Earth. He survives and demands to meet with all of the planet's leaders. With WWII having ended only 6 years earlier, along comes this grim allegory of a movie that's gone on to be hailed as a sci-fi classic. The being inside, Klaatu (Rennie) represents us, therefore it's very important that he looks like us. He's no green-skinned monster who instantly opens fire on us. He is us, giving a warning to ourselves. As far as movie-making prowess goes, it's a success but not an overwhelming one. The narrative drags just a bit since the tension is eased while our messenger takes a tour around D.C. Still, even that serves a purpose in the movie, so no big deal. The special fx are actually pretty stong for the era and appropriately they're used sparingly. The dialogue lacks any subtlety whatsoever which gives the movie the feeling of someone beating you over the head with their message. What's remarkable is that message is not as dated as the movie's age suggests. By changing the word atomic to nuclear and making it a little snazzier looking it could still resonate with today's audience. Hmmm....

I normally don't do this for old movies but just as a point of comparison...

What the Internet Says: 8.1/10 on imdb.com (#224 all time, 5/5/09), 94% on rottentomatoes, N/A on metacritic.com

MY SCORE: 8/10


...which brings us to this...



The Day the Earth Stood Still
2008. Rated PG-13, 104 minutes.
Director: Scott Derrickson. Starring Keanu Reeves, Jennifer Connelly, Jaden Smith, Kathy Bates.

Plot: An alien spacecraft lands smack dab in the middle of Manhattan one night. The being that emerges from the spacecraft is shot within moments of setting foot on Earth. He survives and demands to meet with the planet's leaders.

The Good: The early parts of the movie do a nice job building tension quickly. This gives it the sense of urgency it's looking for. There's also an air of mystery as we watch a bunch of scientists and government officials who are rightfully baffled by what's going on. It's also a good looking movie, reminiscent of The Matrix franchise. Having Keanu Reeves as the star only reinforces this notion, but it's attractive nonetheless in that same monochromatic manner. Finally the new GORT, Klaatu's personal giant robot security guard is very impressive...for much of the movie.

The Bad: A constant problem for this movie is that it's ideas are solid but the execution of them is horrible. Chief among these ideas is the updated premise. The original was a warning against us causing our own destruction through atomic weapons. With our constant worry about who has nuclear weapons, I thought that was still a strong foundation to build on, obviously changing the word atomic to nuclear. However, the filmmakers opted to go with the "green" angle (hence, the greenish tint to the whole movie) and warn us about destroying the planet itself. Okay, I'll buy that but exactly why beings from other universes should care is unclear. It follows that by piling up inconsistencies at a mind boggling rate. Some of which even involves special fx - I'm looking at you, massive swarm of bugs. Next, not only is Klaatu not terribly bright for a being from a supposedly more advanced civilization but he does something incredibly idiotic. That by itself might not be so bad, but we get the sense he only does it so the movie has an excuse to try and dazzle us with cgi. Don't even get me started on the overly melodramatic and Armageddon-esque finale that's only possible because our hero came to the same realization that my 6 year old came to about 3 years ago.

The Ugly: Ya know what, I liked Jaden Smith alongside his dad in The Pursuit of Happyness but he really, really...really annoyed me here.

Recommendation: This is a misguided attempt at modernization. Instead of thoughtfully updating the original it gives us the same basic setup and then repeatedly taps us on the shoulder and says "Hey, doesn't this look cool?" Even the DVD cover does this. If you look at the back of it, you'll see in large print "THIS TIME THERE'S MORE ACTION, MORE SPECIAL EFFECTS AND MORE MAYHEM!" Yawn.

The Opposite View: David Nusair, Reel Film Reviews

What the Internet Says: 5.6/10 on imdb.com (5/5/09), 21% on rottentomatoes.com, 40/100 on metacritic.com

MY SCORE: 3/10