Dell's Good, Bad & Ugly Movie Reviews

[Senser81]

Jaden Smith annoyed me in Pursuit of Happyness, too.

How does Keanu Reeves keep finding employment?

[dell71]

How does Keanu Reeves keep finding employment?

I often wonder this, myself.

[dell71]

Jaden Smith acted so horribly in this, it was pathetic. If they seriously do a karate kid remake with him, someone better teach him to act. I'm not watching any more than 40 minutes of that kid.

The sad part is he still might've been better than Keanu Reeves.

[Palooza]

The sad part is he still might've been better than Keanu Reeves.

No.. but my body is.

[Buzzman]

Reeves was good in Street Kings, but Forest Whititaker was the best in that movie.

[nflman2033]

yeah anytime anyone says they watched the Day the Earth Stood Still my first question before i let them tell me what they think about it is "have you seen the original" if the answer is no then i just listen to amuse them and if the answer is yes... oh wait no one has said yes yet, probably because anyone who has watched the original didn't bother to watch the remake, that is until now, and the direct comparison by dell is pretty much right in line with how i figured it would stack up

[Buzzman]

haha what a lie. Reeves was laughable in that movie. When he started screaming, there was still NO emotion on his face whatsoever. Every time he started screaming me and everyone i was watching it with was laughing their asses off.

Constantine was his best performance as an adult. Why? Because it was a man with no emotion.

I agree to disagree.

[dell71]

Kathy Bates fucking killed this movie. I found Jaden smith to be incredibly annoying like others mentioned as well - I'll be trying to avoid movies he's in for the rest of my life I imagine.

Keanu Reeves didn't help much either.

Good story, and yeah, the original is much, much better.

edit: How did Kathy Bates not even get mentioned yet... was I the only one that had a problem with her being president of the world?

Bates wasn't the president, she was Secretary of State (or defense, but I think it was state). It wasn't one of her best performances but it was meh. When I start thinking about this movie's list of problems I get to a whole slew of them before I get to her.

How about Point Break? What a great movie.

I'll admit, it's a guilty pleasure of mine.

[Buzzman]

How about Point Break? What a great movie.

I thought the 1st 45 mins were great, then everything after that just got dumb

[NAHSTE]

Reeves was good in Street Kings, but Forest Whititaker was the best in that movie.

No they were both terrible in that movie and that movie was terrible.

[dell71]

Hotel for Dogs
2009. Rated PG, 100 minutes.
Director: Thor Freudenthal. Starring Emma Roberts, Jake T. Astin, Kyla Pratt, Don Cheadle.
Andi (Roberts) and Bruce (Astin) are a sister and brother who've bounced around from one foster home to another and now live with Carl and Lois Scudder (Kevin Dillon and Lisa Kudrow, respectively) who are despicable human beings who want to be rock stars. When Friday, the stray dog the kids pal around with, is put into the pound, they rescue him and in looking for a safe home for him, discover an abandoned hotel where other strays have taken refuge. With the help of a few friends they begin to care for these dogs and bring other strays in as well. Now, add in their social worker, Bernie (Cheadle) and his wife Carol (Robinne Lee), who are incredibly nice people but have no kids. Oh, don't forget the "e-e-evil" dog catchers. Next take out a pen and paper and write down how you think it would play out if it were made by Nickelodeon, which it is. You'll probably end up with pretty much the same movie that actually plays out before our eyes. Pre-teens will love it. You'll either think it's cute or check your watch numerous times waiting for it to end while wondering how much money it took for Don Cheadle to agree to this and thanking the superior being of your preference that these dogs don't talk. MY SCORE: 4/10

[dell71]

The Final Comedown
1972. Rated R, 83 minutes.
Director: Oscar Williams. Starring Billy Dee Williams, D'urville Martin, Celia Kaye, Maidie Norman.
Black militant Johnny (Williams) is wounded during a shootout with the cops. His fellow soldiers, a Black Panther Party type group, drag him to a back alley and try to get him some medical attention. While waiting, and bleeding, he reminisces about some of the events in his life that led him to this point. Though it comes from the Blaxploitation era and some of the players in that era, this is far different most of what that genre produced. It does indeed have a "down with Whitey" thread running through it. However, most Blaxploitation flicks went at the idea in jest. They had lots of pimps, foxy mamas, jive talkin' and kung fu fightin'. Humor, both intentional and not was common. This is a different animal. It's a serious minded and unflinching movie trying to jolt it's viewers. For a 1972 audience, I imagine it could've been downright scary. Remember, movie goers of the time had just lived through the Civil Rights Movement. They could tell you where they were when JFK, MLK, Robert Kennedy and Malcolm X were assassinated. The possibility of America slipping into a race war wasn't all that far fetched. Knowing this, it succeeds at being a commentary, not only on race in America in the early 1970s but on inner-race relations amongst Blacks as well. A strong, angry turn by the normally suave Billy Dee Williams helps (though he still manages to have time for the ladies). It fails a little in the narrative department. It's unclear exactly what Johnny and his people are trying to accomplish, other than martyring themselves. It's lack of budget shows up in the action scenes. The results of gunshots are mostly laughable. They're also easy to forgive if you just chalk it up to it being made almost 40 years ago. However, less than 12 months after it's release the movie Dillinger, about the famous bank robber, came out. That movie had some amazing and brutal sequences that still look good today. Nonetheless, TFC is an intriguing watch that some viewers will embrace while others are repulsed. MY SCORE: 7/10

[dell71]

Metropolis
1927. Not Rated, 115 minutes.
Director: Fritz Lang. Starring Alfred Abel, Brigitte Helm, Gustav Frohlich, Rudolf Klein-Rogge.
Young, privileged Freder (Frohlich) accidentally discovers that the prosperous city he lives in, and his father Fredersen (Abel) runs, is kept running literally on the backs of the poor, nearly enslaved laborers who themselves live far below the city's surface. The movie proves one thing, man is perpetually cynical about the future, especailly in regards to technology. It gives us a marvelous dystopian society the powers that be are trying to pass of as an underground paradise while essentially keeping the working class in bondage. Fredersen makes a great villain, not because he's evil, though he is, but more because like the best bad guys he believes what he's doing is right and just and will do anything to perserve what he sees as the proper order of things. The concepts used here have aged remarkably well as many of them are still recycled in sci-fi to this day. Even more surprising, the special fx look better than many movies half it's 80+ years. Of course since it's a silent movie, some people will automatically be turned off and that's a shame. However, since silent movies are such a different beast to tame for today's audience, I won't grade it. I'll just say if you're a serious sci-fi movie buff then you should see this, if for no other reason than making sure you see all the classics of the genre to see how far it has, and hasn't come.

[dave]

I wish there was a way we could have Dell's thread minus all the responses.

Oh ... wait.

[Buzzman]

Dells thread without comments is glskdfglsdhglhk