Dell's Classics Presents:
In the Heat of the Night
1967. Not Rated, 110 minutes.
Director: Norman Jewison.
Starring Sidney Poitier, Rod Steiger, Warren Oates, Lee Grant.
Philadelphia homicide detective Virgil Tibbs (Poitier) reluctantly tries to solve the murder of a White man in the small southern town of Sparta after first being accused of the crime himself. This is a landmark drama that is still compelling 40 years after its release. That’s because it not only deals with racism, it’s a murder mystery that twists itself into a surprising conclusion. Poitier and Rod Steiger as Chief Gillespie deliver iconic performances. However, the relationship between the two men isn’t the buddy-buddy one many of us know from the long-running TV series that would eventually follow. It’s two men who genuinely don’t like each other but are stuck with one another. When the movie ends, we know there’s some growth on the part of both men. The question is ‘how much?’ Given the time this movie was released, the next logical question is ‘how much did the audience grow?’ At the very least, it still has the power to at least inspire a reevaluation of one self.
MY SCORE: 10/10
In the Heat of the Night
1967. Not Rated, 110 minutes.
Director: Norman Jewison.
Starring Sidney Poitier, Rod Steiger, Warren Oates, Lee Grant.
Philadelphia homicide detective Virgil Tibbs (Poitier) reluctantly tries to solve the murder of a White man in the small southern town of Sparta after first being accused of the crime himself. This is a landmark drama that is still compelling 40 years after its release. That’s because it not only deals with racism, it’s a murder mystery that twists itself into a surprising conclusion. Poitier and Rod Steiger as Chief Gillespie deliver iconic performances. However, the relationship between the two men isn’t the buddy-buddy one many of us know from the long-running TV series that would eventually follow. It’s two men who genuinely don’t like each other but are stuck with one another. When the movie ends, we know there’s some growth on the part of both men. The question is ‘how much?’ Given the time this movie was released, the next logical question is ‘how much did the audience grow?’ At the very least, it still has the power to at least inspire a reevaluation of one self.
MY SCORE: 10/10
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