Freddie Gibbs and Madlib - Shame EP

[BigBucs]

Gibbs needs to hurry up with that Baby Face Killah

​

​

Freddie Gibbs & Madlib – Shame

Freddie Gibbs, Madlib — by Lord Inamel, Jun 22, 2012 | Comments (8)

​

​

12″ EP now shipping via Stones Throw: Freddie Gibbs & Madlib – Shame EP

Freddie Gibbs & Madlib’s Shame EP follows where Thuggin’ left off: with Gibbs effectively spooling street stories onto the Beat Konducta’s wax. “Shame” featuring singer B.J. The Chicago Kid, is Gibbs’ honest appraisal of a one night stand; “Terrorist” is all killer, no filler – a short, terrifying rap offset by a cheeky fusion jazz sample. The Shame EP also contains vocals, instrumentals and two bonus beats.
The duo’s as-of-yet untitled album is planned for release in the third quarter 2012.



Artwork by Jeff Jank featuring an original illustration by Ashkahn.

A1. Shame feat. BJ The Chicago Kid
A2. Shame (Instrumental)
A3. Later That Night (Bonus Beat)
A4. Shame (A Capella)
B1. Terrorist
B2. Terrorist (Instrumental)
B3. The Morning After (Bonus Beat)
B4. Terrorist (A Capella)
​

​

 

[BigBucs]

Other track (more like verse) from the EP. Shit is :fap:tastic

....and remember, if you dont like Freddie Gibbs you probably are a faggot.

 

[BigBucs]

Freddie Gibbs

The no-nonsense rapper on his upcoming projects with Madlib and DJ Drama.

<small>Photo by Matthew Scott

</small>
​

As of last Monday, hard-nosed MC Freddie Gibbs' shitlist included, but was not limited to:Summer Jam security, tobacco lobbyists, dog owners of Silver Lake (who fail to measure up to the cleanliness standards of West Hollywood), nearly everyone else who's done a Gangsta Grillz mixtape in the past couple of years, rap bloggers, and Rick Ross (at least to the extent where he has to make it a point to clarify he's collaborating with "the real Rick Ross" on a community outreach program).
At the risk of joining that list, it's my journalistic duty to report that when I catch the L.A. transplant on a gorgeous June afternoon, his itinerary does not sound especially hardscrabble; our conversation falls between a crossfit workout with a personal trainer and a picnic date with a girlfriend. Then again, Gibbs' new fitness regimen is mostly based around boxing-- he likes the health benefits acquired from beating the shit out of someone.
It makes perfect sense. Throughout our chat, there's not much delineation between the current state of boxing and that of hip-hop. "There's no heavyweight champion anyway, it's lost its luster," Gibbs explains. Also, in his mind, it's corrupt to favor guys with less integrity and skill than Freddie Gibbs, which according to Freddie Gibbs, is pretty much everyone that isn't Freddie Gibbs (or his CTE boss, Young Jeezy). If it were up to him, the game would just be bare-knuckle, one-on-one combat, all the better to weed out the weak: "I'm basically saying I'm gonna bump heads with you as soon as possible, and I don't give a fuck if you're Mike Tyson or goddamn Milhouse from 'The Simpsons'."
But Gibbs' artistry is a symbiosis of anger and excitement, and he's got a lot to be excited about nowadays, too. After the unexpected Thuggin' EP with with weeded-out crate digger Madlib last year, the second half of 2012 will see Gibbs reemerge in the form of a couple of complementary collaborations: another Madlib-produced EP called Shame (out July 10 via Stones Throw), and a Gangsta Grillz mixtape with DJ Drama, Baby Face Killa(featuring the track "Pull Up", above, and due for release at the end of July). He's confident the combination of the two will make you say, "What the fuck is that?" But he could give a shit about whether you like him. "I ain't in this shit to make no friends," he says, laughing.


​

Pitchfork: How did the Madlib collaboration originally come about?
Freddie Gibbs: I wasn't fully aware of the things that Madlib did musically, but my manager put me up on game. I'm not gonna act like I was a Madlib head when I wasn't. I didn't understand a lot of it at first. But it opened my mind to some things, and it's me bringing that gangster element to things that he does. It's like a perfect marriage.

​

Pitchfork: Put yourself in the position of a Freddie Gibbs fan who's hearing you on a Madlib beat for the first time. What are they thinking?
FG: He might be like, "What the fuck?" [laughs] The beats I picked are so smooth. But it's not me changing my style up, it's me being versatile. It's not like I'm rapping like MF DOOM. I'm talking about the same street shit: weed, crack, robbery, bitches. But it sets me apart from a lot of other rappers-- I don't wanna say nobody's name, but you know what I'm talking about. Most of the guys that rap in my genre wouldn't do a record with Madlib-- most of them don't even know who Madlib is. But I'm gonna show these motherfuckers that I'm executing they ass lyrically, and then slap 'em in the face with that Madlib shit.


​

Pitchfork: And doing a Gangsta Grillz tape has to feel like a serious milestone.
FG: I've been wanting to do a tape with Drama for a while-- I guess I wasn't cool enough before, but now I am. [laughs] I'm about to restore that prestige to Gangsta Grillz. There's some dudes that did Gangsta Grillz tapes who probably weren't worthy of it-- their label just put up the bread, or they did a favor. Drama did a lot of favors for some weak niggas, but my tape is gonna take you back to them Trap or Die days. Jeezy's the biggest artist to come straight from the streets the past 10 years, and that's the reason I fucked with him. I want to catch some of that magic. I want to be a part of that Death Row-like atmosphere, and that's what we're creating, without all the bullshit. I'm putting the missing pieces together for the tape now. I've been on the phone with Pusha T, I got Jadakiss, I got a track with Z-Ro.

<small>Freddie Gibbs and Madlib. Photo by Erez Avissar.

</small>
​

Pitchfork: Do you get nervous about how quickly things move in rap nowadays?
FG: I study my competition for at least an hour a day. I get on the internet, I look at what they doing, and then I look at ways to defeat them. I know their mixtapes track-by-track, I know some of their lyrics. I make sure there ain't another motherfucker rapping like I'm rapping because if they do that I'm gonna have to chastise their ass. There's a couple niggas biting my style right now. I'm about to let that be known.
For the most part, I think I'm the best nigga doing this gangsta rap shit. I'm really one of theonly niggas doing this-- a motherfucker straight off the streets that can really rap. Plus, I did a record with Domo [Genesis] from Odd Future, and that shit came out dope as fuck. Ace Hood ain't about to go do no record like that. I ain't trying to throw the nigga under the bus, but it's just a comparison. Certain guys aren't gonna do the things that I do musically to set themselves apart. They just gonna be another motherfucker on Worldstar. [laughs] OK, your shit got 30,000 views, who gives a fuck?

<small>Artwork for Gibbs' Baby Face Killa Gangsta Grillz mixtape with DJ Drama

</small>​

Pitchfork: When you talk about guys that you're studying, who's inspiring you to step your shit up?
FG: You've got to look at the Big Seans and the Meek Mills of the world, but it ain't no one motherfucker in particular. I really pay more attention to the guys who ain't really emerged yet; if you in the streets and you fuck around with the Mafia, you ain't gotta worry about John Gotti coming to knock your motherfucking head off, you gotta worry about one of the soldiers. But mainly, I look at these underground dudes. I used to see Kendrick Lamar when he was Jay-Rock's hype man, and I could see how that nigga can really go on the mic.


​

Pitchfork: You were at Summer Jam with Young Jeezy this year, how was it?
FG: It was dope. Though some punk-ass niggas made [CTE] leave the venue [after Young Jeezy's set]. I guess some motherfucker-- he knows who he is-- had us removed from the venue-- and we gonna leave that at that. Me and Young Jeezy were not allowed to watch the rest of the show. [Note: Rick Ross and Maybach Music performed after Young Jeezy.]
And the shit that me and Jeezy got going on, it's a real special dynamic-- there ain't been no real gangsta rap shit like this in a minute. At least no real shit. I just think, if a motherfucker can rap about his life, then he should be that motherfucker outside the booth as well. There's been some fake niggas that perpetrated and said they was from the streets, but they really wasn't. And they leading a bunch of sheep. Ninety percent of the general public aren't gangstas, so all of the rappers aren't going to be gangstas.

Pitchfork: I can assure you I am not a gangsta.
FG: Right. I respect motherfuckers that be themselves. I don't like people being something that they ain't, and we got a lot of that in rap right now. It's all gonna be brought to light.

http://pitchfork.com/features/update/8869-freddie-gibbs/

 

[Woy]

I want that MADGIBBS LP more than any other project of his.

 

[BigBucs]

Cant argue that with how the 4 tracks they collaborated on came out but Im ready for that Gangsta Grillz. Pusha, Jadakiss, Krazy Bone and Z-Ro are some of the features :fap: