When Frank Darabont appeared on a Comic-Con panel July 22 to promote The Walking Dead, he didn't realize he was a dead man walking. Neither did the cast and crew. Everyone was shocked when news broke three days later that AMC had taken the extraordinary step of firing Darabont from the network's biggest ratings hit.
In hot, sticky Atlanta, where production on the second season had been under way since June, the cast was summoned to a lunch meeting with AMC vp scripted programming Ben Davis, who confirmed that Darabont was out. The crew was briefed separately. One insider says those gathered were stunned at "the duplicity of AMC" for having used Darabont to promote the show at Comic-Con before firing him. And they were angry about the lack of explanation; they were simply told, cryptically, "This isn't working." Above all, they were disheartened. "It's a crushing blow," says the insider. "Even when you have a hit, they can still destroy you."
Darabont -- like many showrunners, not known for a small ego or manageable temperament -- had been working on an edit in Los Angeles. After he was sent packing, he returned to give some final notes. He sent farewell e-mails to associates on the show. But he has maintained a steady silence in the media as his representatives work out the terms of his departure. Through his lawyer, Darabont said he has no interest in talking to the press.
There also have been no public comments from the cast, and a source with knowledge of the situation says AMC has been "terrorizing" them and their representatives to discourage them from speaking out on Darabont's behalf. "They're scared," confirms another insider. "They're on a zombie show. They are all really easy to kill off."
AMC issued a statement after Darabont was dismissed, expressing gratitude for his "innumerable" contributions to the show. Asked to comment on criticism for the handling of his departure, a spokesperson said, "We have nothing further to add."
This drama makes it a hat trick: Within a space of months, AMC has become embroiled in messy public fights with the creators of its top three shows -- Mad Men, Breaking Bad and now Walking Dead. The battles have been about money, but in this case, at least, it was more of a slow burn than a sudden flare-up. Sources say last fall, even before the first episode of the show had aired, AMC let it be known that it would effectively slash the show's second-season budget per episode by about $650,000, from $3.4 million to $2.75 million. AMC cut the budget and pocketed a tax credit previusly applied to the show. An AMC source says the size of the cut cited by sources is "grossly inflated" and that the second-season budget represents a more typical and sustainable number for a basic cable show.
At a glance, it would appear AMC is taking a big risk with its only huge commercial success. Mad Men and Breaking Bad are Emmy magnets that average 2.3 million and 4.3 million viewers, respectively. But Walking Dead, based on a series of graphic novels, attracted an astonishing 5.3 million viewers when it premiered on Halloween. The season finale in December drew more than 6 million viewers. In the 18-to-49 demo, it chalked up the biggest number ever for any drama on basic cable....(there's a lot more, click the link)