Buzzman’s Best Films of 2010
I was never really a film man. I rarely watched actual good films until I started reading Rawlin and Dell’s reviews. They reviewed films I’d never give a chance and opened up a huge library of films to me. It was great because I missed out on a ton of great movies that I got to enjoy for the first time. That’s how I essentially got into watching and enjoying film. 2009 was the year this happened so naturally I thought it was a great year for cinema, having seen so many films, of course I would find a good selection that I enjoyed; it’s simple math. Last year changed all that for me though. 2010 was the first actual year that I can say I was a diehard film fan. From the very beginning of the year I made it a goal of mine to go and see any film that even remotely interested me. I feel confident in saying I accomplished that goal by watching 92 releases in the year 2010. That’s not including the ones I have passed over, but still plan to watch, but nearly every decently critiqued film as crossed paths with me this year along with dozens of shitty ones. It was leaps and bounds better than the previous year. My own review thread started out of mere boredom, but I’d like to think it has grown onto some of you guys here at VSN. So without further ado, I offer you my opinion on the 9 Best Films of 2010.
#9 | The Town: Extended Cut
The Town was the much anticipated follow-up for Ben Affleck; the director. He not only created one of 2008s best film but arguably one of the best of the decade. Not many knew if he could recreate that same magic and to throw fuel on the fire, he was going to star in this as well. Once it released, the doubts were buried, and Affleck re-defined himself as a force to be reckoned with. The Town features Hollywood’s golden setting right now, with the Boston area, and made a heist film that rivals with some of the best. The shootouts were well paced, the characters were developed, and cat and mouse game was on. It’s a shame it only got recognized in one category by the academy, but should turn into this generation’s Heat. (The Extended Cut is about 25 minutes longer and adds a few more scenes that add to the overall side stories the theatrical version shied away from; it helped the movie barely squeak into this spot on the list)
# 8 | The Fighter
Boxing; film’s ultimate sport can deliver cliché after cliché, yet at the end of the day it’s still one of the most entertaining genre to watch. Watching an underdog rise and become something great is something we love to see. The Fighter uses these techniques to lure you into the film, but becomes something more than ordinary through the story of the Ward family relationship. Boxing is it’s backdrop into something much larger. It’s dominated by actors that turn into their character and no doubt earned recognition with three acting nominations. It may be the best acted movie as an entire whole in the year 2010 and earned itself a spot as one of the best boxing films to date.
#7 | Blue Valentine
The little film that could was not Winter’s Bone(it’s great though), which Hollywood would have you believe with its countless nominations. It was a movie released at the very end of the year that seemed to come and go without so much as a peep from the general public. Only hardcore fans saw this, and most never have got the opportunity yet. I t was such a small release with little marketing behind it. It truly is a shame that one of the most depressing yet connecting films will never be anything more than forgotten. Ryan Gosling and Michelle Williams give what will probably end up being their best performances of their career, yet the academy had the nerve to snub Gosling. The film may not be for everyone, but it does touch anyone who watches in some manner that hits close to home.
#6 | Kick-Ass
Comic book films have been over-saturated in the market. A few shitty ones line-up in a row and the genre seems to die down. Then Kick Ass shows up. It features some of the best over the top violence, vulgar language, and spoofs that anyone could ask for. It answered the question of a real life superhero with its hilarious scenarios and controversial characters. It didn’t feature any award winning formulas, but majority can agree it was one of the best movie experiences of the year. It’s sad to look back and see it wasn’t the box office hit it deserved.
#5 | The Social Network
The film that defines a generation is just a tad bit overrated in my look on it. Many are calling it one of the best films of all time (and understandably so), yet here I have it sitting it number five. I think that just speaks to how highly I feel this year has been in film. The film is great because it reveals some history of something we have grown to use every day. While it may not be entirely accurate, it’s themes of friendship, betrayal, greed, and etc. will always be entertaining, but when you combine it with one of the best scores of the year, and great performances all around by its cast make it one of the best movies of the year. It definitely deserves the recognition it has achieved; despite its ranking I would not feel cheated if it ends up winning the Oscar for best picture of the year.
#4 | Toy Story 3
The sendoff to the greatest animated series couldn’t have ended up being any better. It’s shocking really that a sequel 12 years later to a film can turn out so well, yet Toy Story 3 accomplishes just that. It took a series that we all grew up with and let us have a moment alone to say our goodbyes. The adventure this time around brought more laughs, more action, and more tears(metaphorically speaking) than ever before. This last journey with the gang was something special and turns a series into the ultimate trilogy a film fan could ask for. Pixar has reached a peak that can only go down from here because I don’t think anything they produce after this can ever top it.
#3 | Black Swan
This film seemed to blindside everyone. The trailers gave off a creepy ballerina vibe, but I don’t think anyone could have predicted such a twisted psychological thriller that makes ballerina seem like one of the most exciting forms of competition out there. It mentally wears down your brain and brilliantly captures you with its climatic ending that sent chills down your back and let you finally exhale ad catch your breathe. It was powered by its leading lady Natalie Portman in her best performance to date and it’s wonderfully orchestrated musical score. Darren Aronofsky adds yet another brilliant piece of work to his already fantastic resume of film and pulls the greatest trick in convincing the general public to flock in bunches to watch a ballerina film.
#2 | 127 Hours
A movie essentially starring one man stuck in one spot sounds like a bad idea, but Danny Boyle throws in what are fantastic pieces of direction that add dozens of emotions out of his audience. One minute he jumps to fear, then to regret, then to hope, and most importantly life and how precious it really is. James Franco carries the film of course, providing what is easily his career defining role. He takes the struggles of trapped man and gives him enough spark that the audiences terribly roots for him to be free. It may end up being known as that film “where the guy gets his arm stuck” but is so much more than that. This deserves to be number one, but unfortunately it released the same year as…..
#1 | Inception
I have never watched a film that challenges its core audience more than Inception; that is what makes it such a masterpiece. It can be interpreted in so many ways that everyone can be right. Multiple viewings only fuck your mind more, creating new scenarios and bring to light a new perspective on the film. Christopher Nolan created what is Hollywood’s most ambitious stories and earned critical acclaim from nearly everyone. Outside of the technical aspect of the movie I’m truly shocked Nolan didn’t get a directing nod and that Inception seems to have no shot at winning the Oscar that it so rightfully has earned. I fell in love with Inception at first sight, the multiple viewing have only confirmed it; Inception is the best film of 2010.